Literary Patronage in Ostrogothic Italy

What is it about?

Literary patronage was a widespread social practice in Ostrogothic Italy, as the works of Ennodius, Boethius, Cassiodorus and Arator show. Ennodius sought for a long time a dives patronus who could help him winning fame, while Boethius, thanks to Symmachus’ support, quickly gained a reputation so great that Theoderic tried to bring him to his court. Cassiodorus is the clearest example of Ostrogothic royal patronage, while Arator reveals that also clergymen could be important patrons. These authors allow us to understand both the reasons why sixth century Italian writers sought a patron and the main features of senatorial, royal and ecclesiastical patronage. They indicate as well the importance of studia litterarum in late antique Italy and the strategies adopted by Ostrogothic kings in order to be accepted by the Roman population.

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Why is it important?

This is the first study of literary patronage in Ostrogothic Italy and can therefore help both historians and philologists working on sixth century Italy. It shows moreover the importance of authors such as Vergil and Horace for the Italian culture of that time.