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This essay is an attempt to understand Franz Rosenzweig's ideas about revelation in his Star of Redemption by drawing parallels to Gilles Deleuze's interpretation of Marcel Proust's À la recherche du temps perdu. The article shows how Deleuze's semiotics in his Proust et les signes is useful for our understanding of Rosenzweig's description of divine signs.

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This page is a summary of: Rosenzweigs Konzept der Offenbarung und die Zeichen der Liebe, Naharaim, January 2008, De Gruyter, DOI: 10.1515/naha.2008.011.
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