What is it about?
Brundibár was written in 1938 in Czechoslovakia. It became most famous in its 55 performances in the Nazi-run ghetto of Theresienstadt, revived in the 1970s. This article examines the Sydney premiere and how survivor interviews shaped the production.
Featured Image
Why is it important?
This account is important because it uses oral histories in an innovative way to inform audiences and performers about the historical context of a work. It educated a wide range of participants through survivor interactions with cast and crew, through personal historical accounts in the concert program and through the production itself.
Read the Original
This page is a summary of: Ethnography and the empathic imperative: Negotiating histories in the Sydney Brundibár Project, Studies in Musical Theatre, April 2020, Intellect,
DOI: 10.1386/smt_00016_1.
You can read the full text:
Contributors
The following have contributed to this page







