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This short film, obviously inspired by expressionism, conveys Monsieur K’s subjectivity through POV shots but also uses distorted and reverse angles (shot 86). This paper means to examine the function of such shifting perspectives as the expression of a gradual destabilization of POV and a sometimes ironical reference to spectators’ reception.

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This page is a summary of: Shifting perspectives in La Vis, Short Film Studies, January 2021, Intellect,
DOI: 10.1386/sfs_00028_1.
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