What is it about?
This paper explores how docufiction as a film genre collects from real occurrences, such as disasters, wars, insurgency, starvation, and political or economic strife from states of Nigeria ravaged by insurgency and Boko Haram, banditry, and the Fulani Herdsmen. From a serialised television script, Dissent, this paper highlighted how a surrogate character, Pam becomes the archetype of loss, fighter, and redemption.
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Why is it important?
We discovered through Dissent, that dramatic characters for docufiction evolve naturally because the incident is real and familiar to the people whose story is already commonplace. The case of Dissent is a national tragedy and an indictment of bad government, corruption, and nepotism.
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This page is a summary of: Reading the docufiction script: Harnessing the thin line between facts and fiction, Journal of Screenwriting, November 2022, Intellect,
DOI: 10.1386/josc_00107_1.
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