What is it about?
Taking as a point of departure the ongoing and ever-evolving interaction between theatre arts and communities, this article expands upon ideas on bodies and communities bringing together somatic, theatre and community studies. It uses as a case study a somatically inspired theatre praxis gathering that took place in the village of Kato Garouna (Corfu, Greece) during summer 2018 (23–26 August). The gathering is identified as a ‘community-conscious’ project, which led to the awareness of ‘community as soma’. This approach to community inquiry, supported by the openness of somatic and practice-research methodologies, allows the integration of embodied differences and dualities within creative co-presence. It also prompts the emergence of new interactive possibilities between newly shaped and existing groups through critical and ethical attention to invitations. Reflecting upon the methods that underlined the gathering process, communities are examined in relation to the invitations that developed them and their critical implications.
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Why is it important?
It outlines how somatic and community experiences are innately interconnected highlighting the significance of embracing differences and moving beyond unhelpful dualities in embodied awareness and community making.
Perspectives
It was very exciting for me as a practitioner-researcher to discover in praxis how closely I have been working on ethical themes of community making by bringing together theatre and somatic studies. Hope the discussed ideas resonate and show new perspectives on how somatic theatre praxis contributes to contemporary community awareness.
Christina Kapadocha
University of Essex
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This page is a summary of: Community as soma: Reflections on a community-conscious theatre gathering, Journal of Arts & Communities, October 2020, Intellect,
DOI: 10.1386/jaac_00020_1.
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