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Vikram Chandra’s Love and Longing in Bombay testifies to the complexities of postcolonial Indian national history. The narrative originates in the trauma of Partition and manifests itself as a constitutive part of independent Indian identity. Alternately, Amit Chaudhuri, uses an uncanny aesthetic of the banal to unsettle various home-spaces of Calcutta in A Strange and Sublime Address. The entanglement of body and place in postcolonial Indian literature can therefore affect both a sublime surprise through sensory aesthetics, and a traumatic fissure through the repetition and return of the falling body of Indian national identity, underscoring its hybridity.
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This page is a summary of: The Banal Sublime of Postcolonial Bombay and Calcutta: The Embodied Ghosts, Falling Bodies, and Tangled Webs in Chandra's "Dharma" and Chaudhuri's A Strange and Sublime Address, Journal of Literature and Trauma Studies, January 2018, Project Muse,
DOI: 10.1353/jlt.2018.0004.
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