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This article examines how Sudabeh Mortezai's film Macondo uses intertextual parallels with Francois Truffaut's film The 400 blows to depict the coming of age struggles of a Chechen refugee in Vienna.
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This page is a summary of: Antoine Doinel in Simmering: Appropriating François Truffaut's The 400 Blows in Sudabeh Mortezai's Macondo, Journal of Austrian Studies, January 2021, Project Muse,
DOI: 10.1353/oas.2021.0005.
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