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This article analyzes three primetime television series: Chuck and Bionic Woman on NBC and Dollhouse on Fox. The programs raise questions about the role of labor, gender, and technology in contemporary life. Each series represents an unequal sexual division of labor around prized technological work. They also express the instability of humanity as it becomes ever more intimate with new technology. As cyborgs, the main protagonists are temporary subjects because technology is driven by capital’s need for newer products and newer iterations of existing technology. The potential for liberation and collective activity that comes with the newfound power, skill, and interconnection of cyborgs is closed off. The contemporary cyborg in Chuck and Bionic Woman is alienated and never far from being obsolete, while Dollhouse shows the possibility for working-class resistance.

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This page is a summary of: Temp Cyborgs, Television & New Media, December 2011, SAGE Publications,
DOI: 10.1177/1527476411428625.
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