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The paper deals with the issue of representing sexuality in cinema outside the pornographic genre, in a context where sexual imagery has become widely available. It focuses on the film Nymphomaniac by filmmaker Lars Von Trier, attempting to show in which ways the film plays on transgressive representations while restraining from complete visibility.
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This page is a summary of: Ce que l’on cache quand on montre tout : la pudeur paradoxale de Nymphomaniac, July 2025, De Gruyter,
DOI: 10.1163/9789004742123_005.
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