What is it about?
This chapter explores the Ballet des Polonais, a theatrical performance held in 1573 to honor visiting Polish ambassadors in Paris. It was the first major example of a ballet de cour, a genre of courtly performance that combined dance, music, and drama, and was staged for political and cultural display. The ballet took place during a key moment in Polish-French relations, following the election of Henry Valois (later Henry III of France) to the Polish throne. While this political alliance marked a significant diplomatic step, it also revealed deep cultural divides. The French viewed the ballet as a grand showcase of their cultural sophistication and national pride, while the Polish guests found it confusing and excessive, despite receiving Latin translations to help them understand it. France and Poland had limited interaction before this event, and the encounter during Henry Valois’s brief reign in Poland (lasting only five months) highlighted more differences than common ground. The Ballet des Polonais thus stands not just as a milestone in performance history, but as a vivid symbol of early modern transnational misunderstanding. Catherine de Médicis, France’s queen mother and regent, used the ballet to promote her family's political power and prestige. Her strategic use of court ballets set a precedent that would flourish in the 17th century, blending art with politics in a uniquely theatrical form.
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Why is it important?
It is important because it shows how culture can reflect social and political changes
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This page is a summary of: Understanding the Performance of the Ballet des Polonais, June 2025, De Gruyter,
DOI: 10.1163/9789004724280_011.
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