What is it about?
Italian Jewish kabbalists of the fourteenth to sixteenth centuries were the most active producers of "ilanot" (trees) of Kabbalah. Ilanot were parchment sheets upon which large diagrams were inscribed--typically tree diagrams--that left plenty of room for inscriptions that introduced the basics of the cosmology. The most extraordinary, the so-called "Magnificent Parchment," leveraged the entire kabbalistic library of its time and place. The Magnificent Parchment, which may be viewed at www.ilanot.org, used one source in particular for its rich array of secondary diagrams -- a previously unknown work akin to the emblem books of its age: "the Booklet of Kabbalistic Forms." The latter work is the subject of this study and critical edition.
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Why is it important?
There is no other Jewish work quite like this one: a fascinating collection of unusual kabbalistic diagrams followed by texts that explain their signification. It is also important as the most prominent source for the diagrammatic repertoire of the maker of the Magnificent Parchment.
Perspectives
People tend to think of kabbalistic diagrams, if they think of them at all, in terms of the tree of sefirot. "The Booklet of Kabbalistic Forms" shows us just how rich the diagrammatic repertoire of the Kabbalah was c.1500 in Italy.
Josef Chajes
University of Haifa
Read the Original
This page is a summary of: Visual Kabbalah in the Italian Renaissance, The Vatican Library Review, April 2022, Brill,
DOI: 10.1163/27728641-00101001.
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