What is it about?

This essay illustrates how queer cinema studies has been structured by a negative co-history with trans that has driven the texts and questions it can take up, the temporalities governing its formation, and the rhetorical shape of its intellectual products.

Featured Image

Read the Original

This page is a summary of: Why Trans Cinema Doesn’t Exist, Studies in World Cinema, January 2025, De Gruyter,
DOI: 10.1163/26659891-bja10048.
You can read the full text:

Read

Contributors

Be the first to contribute to this page