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This essay illustrates how queer cinema studies has been structured by a negative co-history with trans that has driven the texts and questions it can take up, the temporalities governing its formation, and the rhetorical shape of its intellectual products.
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This page is a summary of: Why Trans Cinema Doesn’t Exist, Studies in World Cinema, January 2025, De Gruyter,
DOI: 10.1163/26659891-bja10048.
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