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Feminism and the Cinema of Experience engages with contemporary cinema and television to argue that such films need to challenge their audiences to feel uncomfortable in order to properly “feel like a feminist”. Simone de Beauvoir’s notion of lived experience underwrites the argument but is complicated by Marso.
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This page is a summary of: Feminism and the Cinema of Experience, by Lori Jo Marso, Simone de Beauvoir Studies, December 2025, De Gruyter,
DOI: 10.1163/25897616-bja10137.
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