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This essay draws out some largely unremarked aesthetic convergences between Samuel Beckett and his contemporary, the Romanian-Jewish, German-language poet Paul Celan and suggests how their common aesthetic principles can best be understood through philosopher Jean-Luc Nancy's concept of art as vestige rather than form or the sensuous representation of an idea.
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This page is a summary of: Breath Crystals, Samuel Beckett Today / Aujourd’hui, September 2018, Brill,
DOI: 10.1163/18757405-03002003.
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