What is it about?
Examining the potential crime in All That Fall as a crime of reification, this essay seeks to expose two ontological levels within the radio play that are governed by opposing temporalities. It concludes with an assertion that attempting to ‘make real’ distorts an intuitive experience of reality.
Featured Image
Read the Original
This page is a summary of: The Crime of ‘Making Real’ in All That Fall, Samuel Beckett Today / Aujourd’hui, January 2017, Brill,
DOI: 10.1163/18757405-02901018.
You can read the full text:
Contributors
The following have contributed to this page
