The Sonic Witness: On the Political Potential of Field Recordings in Acoustic Art

Gerald Fiebig
  • Leonardo Music Journal, December 2015, The MIT Press
  • DOI: 10.1162/lmj_a_00926

The authors haven't finished explaining this publication. If you are the author, sign in to claim or explain your work.

Read Publication

http://dx.doi.org/10.1162/lmj_a_00926

The following have contributed to this page: Gerald Fiebig