The motion design of an interactive agent

What is it about?

Movement is a subject addressed in different fields of knowledge, such as physics, philosophy, dance, among others. We therefore approach this subject from the design of the form and gesture of an interactive agent to suggest questions connected with the perception of life and its association with the movement.

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Photo by HI! ESTUDIO on Unsplash

Photo by HI! ESTUDIO on Unsplash

Why is it important?

The paper focuses on the design of an interactive agent that combines form and movement. This integration is crucial as it explores how the physical appearance of the agent interacts with its motion, highlighting the interconnectedness of these two elements. The movement serves as the foundation for the construction of form and gesture of being, implying that movement plays a significant role in shaping and defining the agent's identity. This emphasizes the artistic and exploratory nature of the work, highlighting the author's intention to delve into the fundamental aspects of the agent's design and representation. Besides, the paper suggests a deeper exploration of the relationship between movement and the perception of life or liveliness. By examining the connection between movement and the perception of life, the paper offers insights into how movement influences our understanding and interaction with artificial agents. The primary objective of this research is to generate contributions to the fields of social robotics and interactive art. By investigating the integration of form and movement, questioning the perception of life associated with movement, and proposing future projects, the paper aims to advance knowledge and understanding in these areas, potentially impacting the development of interactive technologies and artistic practices. Overall, the paper highlights the interdisciplinary nature of the research, the significance of movement in shaping an interactive agent's identity, and the potential implications for social robotics and interactive art.