What is it about?

Collaboration is often viewed as the basis for the making of new and novel artefacts in contemporary cultures, while also being repeatedly used as a catchword for the development of curriculum. Yet, collaboration as praxis entails complex and contradictory practices. Collaboration, in its various forms, falls under the category of ethics. It involves people being motivated by various reasons to join in cooperative action with a view to the achievement of a common goal/s. Three cases of recent collaborations in art education are discussed. Each type involves different grounds for a commitment to action.

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Why is it important?

The cases of collaboration as discussed highlight the importance of how shifts in ethical stances are a social necessity for creative and curriculum outcomes to be successful. Social tact amongst participants permits social situations that might otherwise stall to go on. For such actions to occur those involved must be able to overlook the bald evidence of what takes place — to learn the necessary tact for collaboration to advance in its common goals.

Perspectives

Each type of collaboration as discussed — 1. attempts to critically redefine the Arts under the recent Australian Curriculum agenda; 2. 'Cultivating Urban Ecologies', a Sydney based innovative visual arts curriculum project; 3. the making of high stakes assessment final year bodies of work in visual arts — is dependent on the value of capital that collaborators can bring to their exchanges. Each type while at odds with individualism remains indebted to the agency of individuals and social necessity. What emerges from this research is that collaboration is far from an incontrovertible concept or praxis.

Dr Kerry A Thomas
University of New South Wales

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This page is a summary of: The Practice of Collaboration as Ethical Activity in Art/s Education?, International Journal of Art & Design Education, October 2015, Wiley,
DOI: 10.1111/jade.12085.
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