What is it about?

This research proposes a new conceptual model on festival management and diasporic communities in the Asia-Pacific region. Richards’ and Booth’s conceptual models are used, as a starting point, to offer a new way of considering the importance of looking at collaborative relationships through historical perspectives.

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Why is it important?

The framework explored contributes a new approach to cultural festival network theory and a means to understand the complexity of networks required that engage actors from inside and outside both local and global communities.

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This page is a summary of: Negotiating diasporic culture: festival collaborations and production networks, International Journal of Event and Festival Management, June 2016, Emerald,
DOI: 10.1108/ijefm-02-2016-0016.
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