What is it about?
This article compares butoh and classical actor training, through the experiences of RSC actor Greg Hicks.
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Why is it important?
Beyond the aesthetic applications of butoh as a technique for portraying the grotesque, the author addresses butoh methodologies for cultivating a lived experience, and the actor's inner landscape.
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This page is a summary of: Dancing Hamlet in a world of frogs:1butohand the actor’s inner landscape, Journal of Theatre Dance and Performance Training, September 2016, Taylor & Francis,
DOI: 10.1080/19443927.2016.1217262.
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