The Project and the Surprise

What is it about?

This collection of empirical observations argues for a more flexible and receptive approach to the dynamics of production and participation in fiction and literary texts. Sketching out both the actors in and the stages of these activities, this paper explores their relationships, plunging into the multi-layered nature of texts. Its ecological orientation takes up a new challenge, that is, to grasp the inescapable role played by the Invisible in the devising and creation of stories.

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Why is it important?

Outlined within a framework of practical tests and best practices, the hypothesis of a sensitive space together with its features, summarised by the triad simultaneity-compresence-multiplicity, allows sensing, in the symbolic guise of stop-motion frames or watermarks, the intense activity of the meanings that filter through the gestures of writing and reading stories.