‘Do we have a show for you? Yes, wehavegot a show for you!’

What is it about?

This article takes issue with the popular claim that innovative forms of theatre go hand in hand with radical politics. Using examples from theatre companies such as GETINTHEBACKOFTHEVAN, Forced Entertainment and Ontroerend Goed the article explores the representation of sexual harassment on stage.

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Why is it important?

This is one of the first pieces of academic writing about UK theatre company GETINTHEBACKOFTHEVAN. It challenges received ideas about the relationship between experimental performance and radical and/or progressive politics.