What is it about?
This essay concerns the significance of phenomenology in Frantz Fanon’s thought and its influence on the autobiographic and ethnographic contours of his study, Black Skin, White Masks.
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Why is it important?
I argue for a new understanding of the place of language, time and action in Frantz Fanon’s thought and contemporary literature and postcolonial race theory and criticism.
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This page is a summary of: Kindred spirits: Fanon's postcolonialism, Textual Practice, July 2014, Taylor & Francis,
DOI: 10.1080/0950236x.2014.882145.
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