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While biographical studies of British composers’ experiences in the Second World War abound, little attention has been paid to how the demands of ‘total’ war impacted on music’s ideological status. This article sheds new light on how composers and critics negotiated the problematic relationship between art music and politics in this period.

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This page is a summary of: Propaganda Music in Second World War Britain: John Ireland's Epic March , Journal of the Royal Musical Association, January 2014, Taylor & Francis,
DOI: 10.1080/02690403.2014.886430.
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