“The safest hands are our own”: cinematic affect, state cruelty, and the election of Donald J. Trump

  • Kendall R. Phillips
  • Communication and Critical/Cultural Studies, January 2018, Taylor & Francis
  • DOI: 10.1080/14791420.2018.1435082

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http://dx.doi.org/10.1080/14791420.2018.1435082