What is it about?
I'm arguing that serious historical fiction gives historically-informed performers a fruitful model for thinking about the relationship between historical accuracy and present-day creativity.
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Why is it important?
I suggests a way of thinking about history in performance that acknowledges the place of factuality while leaving a large and fruitful space for the performer's imagination.
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This page is a summary of: EDITORIAL, Eighteenth-Century Music, September 2018, Cambridge University Press,
DOI: 10.1017/s1478570618000027.
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