Promoting Environmental Awareness through Context-based Composition

What is it about?

This article examines Cheryl E. Leonard’s work Antarctica: Music from the Ice (2009-2014), which comprises ten context-based pieces created from sounds produced with natural objects (such as penguin bones, rocks and shells) and field recordings the composer collected during her visit to Antarctica in 2008-2009. In particular, the article focuses on the pieces Lullaby for E Seals, White on White, Greater than 20 Knots and Ablation Zone, showing how Leonard draws attention to pertinent environmental issues through her work, while at the same time producing compositions that are aurally pleasing and engaging for performers and listeners alike.

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