What is it about?
This article considers the unique impact of the human voice when used as material in an acousmatic electroacoustic work.
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Perspectives
The principal stimulus for this article was the author's experience as an acousmatic composer whose work often makes use of human voice, in varied forms, as compositional source material.
Steven Naylor
Acadia University
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This page is a summary of: Voice: The persistent source, Organised Sound, November 2016, Cambridge University Press,
DOI: 10.1017/s1355771816000170.
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