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In this article, I reflect on my investigation of temporal form in sound installations. Using a musical perspective, I extend the definitions and possibilities of temporal form to the installation context, finding points of similarities and contrast as well as new hybridized approaches.
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This page is a summary of: Extending Musical Form Outwards in Space and Time: Compositional strategies in sound art and audiovisual installations, Organised Sound, July 2015, Cambridge University Press,
DOI: 10.1017/s1355771815000059.
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