What is it about?
Critical study of on-going digital reproduction and replacement of Japanese paintings in temples in and around Kyoto.
Featured Image
Why is it important?
I problematize the on-going "digital replacement" of cultural properties and propose the code of practice.
Perspectives
I hope this article provoke more attentions of art-lovers on "digital replacement."
Professor Shoji Yamada
International Research Center for Japanese Studies
Read the Original
This page is a summary of: Who Moved My Masterpiece? Digital Reproduction, Replacement, and the Vanishing Cultural Heritage of Kyoto, International Journal of Cultural Property, August 2017, Cambridge University Press,
DOI: 10.1017/s0940739117000145.
You can read the full text:
Contributors
The following have contributed to this page
