All Stories

  1. Change in the Mode of Representing National Trauma in the Post-media Condition: Considering Visual Work on Jeju 4.3 Incident
  2. Ephemeral (Mis-)Encounter, or Male Melancholia for the Mother in Jinho Hur’s Christmas in August (1998) and One Fine Spring Day (2001)
  3. Hye Seung Chung and David Scott Diffrient, Movie Migrations: Transnational Genre Flows and South Korean Cinema
  4. Talking Hospitality and Televising Ethno-national Boundaries in Contemporary Korea: Considering Korean TV Shows Featuring Foreigners
  5. Memory as Melodrama or Noir
  6. Aesthetics and Cultural Politics in The Grand Budapest Hotel (2014): Reading through Eisenstein's Montage Theory
  7. Arresting ‘Language,’ Dwelling in Reality : Reading Jean-Luc Godard's 2 or 3 Things I Know about Her
  8. Cinematic Memories of the Colonial Past
  9. Narrating in the “Sonorous Envelope”: A Public Prosecutor and a Teacher (1948) and Its Symbolism on Korean Modern Subjectivity