All Stories

  1. Decolonising Theatre: Subverting the Western Dramaturgical Frame in Zimbabwean Theatre and Performance
  2. Performing the subversive: censorship and theatre making in Zimbabwe
  3. Subversion of socialist realist theatre and the rise of post-realist theatre in Zimbabwe, 1980–1996
  4. The politics of theatre and performance training in Zimbabwe 1980–1996
  5. Reimagined rural–urban landscapes and Zimbabwean cultural identities in Zimunya's country dawns and city lights
  6. The Political-Aesthetic Function of Song and Dance in Zimbabwean Theatre 1980–1996
  7. ‘Unhappily, we are afraid of it’: modernism as deracination on the Rhodesian/Zimbabwean stage
  8. Political theatre, national identity and political control: the case of Zimbabwe
  9. Embodiment, Mobility and the Moment of Encounter in Jonathan Nkala’s The Crossing