All Stories

  1. An analysis of pitch-class segmentation in John Cage's Ryoanji for oboe using morphological image analysis and formal concept analysis
  2. Mapping k-combinations and Dih4 in John Cage's Variations I as utilities for determinate and indeterminate realization strategies
  3. John Cage's Silent Piece and the Japanese gardening technique of shakkei: Formalizing Whittington's conjecture through conceptual graphs
  4. Sound as a considered design parameter in the Japanese garden
  5. Sound Worlds of Japanese Gardens
  6. Sound, Aurality and Critical Listening: Disruptions at the Boundaries of Architecture
  7. Hearing a shakkei: The semiotics of the audible in a Japanese stroll garden
  8. Soundscape as a design strategy for landscape architectural praxis
  9. The Taxonomy of a Japanese Stroll Garden: An Ontological Investigation Using Formal Concept Analysis
  10. Reading John Cage's Variations III as a Process for Generating Proto-Architectural Form
  11. Transmediating a Japanese Garden through Spatial Sound Design
  12. Appropriating an architectural design tool for musical ends
  13. On Listening in a Future City
  14. BECOMING THE SYNTHI-FOU: STOCKHAUSEN AND THE NEW KEYBOARDISM
  15. The Ephemeral Architecture of Stockhausen’s Pole für 2
  16. Mapping sound-space: the Japanese garden as auditory model
  17. HEARING THROUGH THE BOX