All Stories

  1. Introduction
  2. Music, Liturgy, and Intertextuality in Hildegard of Bingen’s Chant Repertory
  3. The Cambridge Companion to Hildegard of Bingen
  4. Introduction: Material Matters and the Salzinnes Antiphonal
  5. Introduction
  6. Nature, Reason, and Light in Vision—Aus dem Leben der Hildegard von Bingen
  7. Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900
  8. History of a book: Hildegard of Bingen's ‘Riesencodex’ and World War II
  9. Hooked on Ecstasy: Performance ‘Practice’ and the Reception of the Music of Hildegard of Bingen
  10. A morphology of medieval notations in the Optical neume recognition project
  11. Why Size Matters: Music Layout and Order in the Machaut Manuscripts
  12. Hildegard and the Kulturkampf
  13. Conclusion: new century, new abbey, new Hildegard
  14. Forgotten? Hildegard’s reception from 1179 to 1850
  15. Hildegard of Bingen and Musical Reception
  16. Hildegard’s increased veneration and emergence as a composer
  17. Hildegard, tourism, and the politics of chant
  18. Introduction:O virga ac diadema– historiography of a song
  19. The German revival of chant
  20. Was Hildegard Forgotten?
  21. Machaut and the Medieval Apprenticeship Tradition: Truth, Fiction and Poetic Craft. Douglas Kelly. Gallica 35. Woodbridge: Boydell & Brewer, 2014. xx + 356 pp. $99.
  22. Optical music recognition and manuscript chant sources
  23. A Companion to Guillaume de Machaut
  24. 5. ‘. . . et mon commencement ma fin’: Genre and Machaut’s Musical Language in His Secular Songs
  25. John Haines. 2010. Medieval Song in Romance Languages. Cambridge: Cambridge University Press. 318 pp. ISBN 9780521765749
  26. "Messy Structure"? Multiple Tonal Centers in the Music of Machaut
  27. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages Elizabeth Eva Leach
  28. Introduction
  29. Hildegard, Hermannus, and Late Chant Style
  30. A Sarah Fuller Bibliography
  31. Harry Somers (CD Review)
  32. Ann Southam (CD Review)
  33. Tonal structure and the melodic role of chromatic inflections in the music of Machaut
  34. Norma Beecroft
  35. Violet Archer
  36. THEORIZING THE CADENCE IN THE MUSIC OF MACHAUT