All Stories

  1. Why Imitation, and Why Global?
  2. Observations on the Burkean sublime
  3. Paul Duro. Review of "Sacred Shock: Framing Visual Experience in Byzantium" by Glenn Peers.
  4. ‘Great and Noble Ideas of the Moral Kind’: Wright of Derby and the Scientific Sublime
  5. ‘The surest measure of perfection’: approaches to imitation in seventeenth-century French art and theory
  6. Partisan Canons
  7. Imitation and Authority
  8. The Return to the Origin: Heidegger's Journey to Greece
  9. GIVING UP ON HISTORY? CHALLENGES TO THE HIERARCHY OF THE GENRES IN EARLY NINETEENTH‐CENTURY FRANCE
  10. Liberal or mechanical? Optical aids and Renaissance art
  11. The Rhetoric of the Frame: Essays on the Boundaries of the Artwork
  12. Derrida: A Critical Reader (review)
  13. QUOTATIONAL ART: PLUS CA CHANGE: PLUS C'EST LA MEME CHOSE
  14. ‘ADMIRABLE REVISIONISM’: HASKELL'S NINETEENTH CENTURY
  15. The "Demoiselles a Copier" in the Second Empire
  16. Academic Theory 1550–1800