All Stories

  1. Knowing as a Subversive Activity: A Conversation with Steve Fuller’s Post-Truth: Knowledge as a Power Game
  2. Beg to Differ: The Logic of Disputes and Argumentation By Joseph Agassi and Abraham Meidan Springer 2016, pp. vi + 138, $19.99 / £11.99 ISBN 978-3-319-33306-9 ISBN 978-3-319-33307-6 (eBook)
  3. Why the World Does Not Exist MARKUS GABRIEL (translated by Gregory S. Moss) Malden, MA: Polity Press, 2015; vi + 239 pp.; $28.00 (hardcover)
  4. Superintelligence: Paths, Dangers, Strategies. By Nick Bostrom. Oxford University Press, Oxford, 2014, pp. xvi+328. Hardcover: $29.95/ £18.99. ISBN: 9780199678112
  5. Science and Spirituality: Making Room for Faith in the Age of ScienceMICHAEL RUSE Cambridge: Cambridge University Press, 2014; 264 pp.; $23.95 (paper)
  6. Maimonides: Life and Thought By Moshe Halbertal Princeton University Press, New Jersey, 2014, pp. ix + 385, HB, $35/€24.95 ISBN: 9780691158518
  7. Joseph Agassi, The Very Idea of Modern Science: Francis Bacon and Robert Boyle. Heidelberg, New York and London: Springer, 2013. Pp. xvii+315. ISBN 978-94-007-5350-1. £90.00 (hardback).
  8. The Ethics of InformationLUCIANO FLORIDI Oxford: Oxford University Press, 2013; 357pp.; £30.00 (hardback)
  9. Donald Davidson: Life and Words Edited by Maria Baghramian Routledge, 2013, xx +291 pp. Paperback $44.95 ISBN: 978-0-415-72192-9 Hardback $145.00 ISBN: 978-0-415-52880-1
  10. The Hazard Called Education by Joseph Agassi
  11. Afterword
  12. The View from Within: Normativity and the Limits of Self-Criticism by Menachem Fisch and Yitzhak Benbaji
  13. Meta-Aesthetics and Meta-Methodology
  14. The Interaction of Art and Science
  15. The Aesthetic Dimension of Science: The Sixteenth Nobel Conference
  16. Illusions, Patterns and Pictures: A Cross-Cultural Perspective
  17. A Discussion of Some Theories of Pictorial Representation
  18. Anamorphic Art
  19. When to Begin Writing
  20. On Pictures within Pictures
  21. On the Depiction of Impossible Objects (Continued)
  22. A Discussion of Pictured Impossibles with Reference to Nelson Goodman's Analysis of Fictional Objects
  23. Progress in Art
  24. Can a Rationalist be rational about his Rationalism?