All Stories

  1. Assessment of cleaning effectiveness for new ecological systems on ancient tempera icon by complementary microscopy techniques
  2. Assessment of green cleaning effectiveness on polychrome surfaces by MALDI‐TOF mass spectrometry and microscopic imaging
  3. Os púlpitos da Igreja de Nossa Senhora da Pena, em Lisboa: um estudo histórico, estilístico, técnico e material
  4. Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques
  5. Nondestructive Characterization and Enzyme Cleaning of Painted Surfaces: Assessment from the Macro to Nano Level
  6. An innovative, interdisciplinary, and multi-technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII-XVIIIthcenturies, Portugal)
  7. Colorimetric and microscopic study of the thermal behavior of new ceramic pigments
  8. Fluorescence of Organic Binders in Painting Cross-sections
  9. Protein identification and localization using mass spectrometry and staining tests in cross-sections of polychrome samples
  10. Atomic Force Microscopy as a Valuable Tool in an Innovative Multi-scale and Multi-technique Non-invasive Approach to Surface Cleaning Monitoring
  11. SEM‐EDX, water absorption, and wetting capability studies on evaluation of the influence of nano‐zinc oxide as additive to paraloid B72 solutions used for wooden artifacts consolidation
  12. Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review
  13. Fluorescence recognition of proteinaceous binders in works of art by a novel integrated system of investigation
  14. The surface behavior of gilding layer imitations on polychrome artefacts of cultural heritage
  15. Ancient ‘gilded’ art objects from European cultural heritage: a review on different scales of characterization
  16. Integrated methodology for the evaluation of cleaning effectiveness in two Russian icons (16th–17th centuries)
  17. Integrated analytical study for the authentication of five Russian icons (XVI–XVII centuries)
  18. Thermogravimetric study on the ageing of lime wood supports of old paintings