All Stories

  1. Doyle’un “Speckled Band” İsimli Öyküsünün İki Türkçe Çevirisinin Bir Yorumlama Şemasıyla İncelenmesi
  2. The Sublimating and Suspending Uses of Music in Radcliffe's The Mysteries of Udolpho
  3. An Interpretation of Sartre’s Phenomenology of the Image as a Phenomenology of the Sign
  4. Sartre’s Dessin, Literature and the Ambiguities of the Representing Word
  5. Beyond Repression and Back to the Secrets of the Familiar: A Critical Look at Freud’s Essay on the Uncanny
  6. Air, Bubble and the Horrid Image: The Representation of Fear and the Supernatural in Macbeth
  7. What Is the Literary Image in 2019? A Reevaluation of Mitchell's Encyclopedia Entry
  8. Frames, World-Pictures and Representations in advance
  9. The Ineluctable Sign in Sartre’s Account of Franconay’s Imitation
  10. “Be Not Afeared”
  11. On the Contribution of Tenniel’s Illustrations to the Reading of the Alice Books
  12. The Representation of Time, Modernity and Its Prehistory in Dracula
  13. The Elucidatory Uses of Wittgenstein’s Scale of Nonsense in Lewis Carroll’s Wonderland Narratives
  14. Spectral Narration and the Houses of Desire in Charlotte Brontë's Villette
  15. A critical evaluation of Heidegger’s criticism of aesthetics in ‘The Origin of the Work of Art’
  16. The truth in Almodóvar’s melodramatic moment: the curious interplay between melodrama and reality inHigh Heels
  17. Reinventing the everyday in the age of spectacle: Jean-Luc Godard’s artistic and political response to modernity in his early works
  18. The Visual Way to Language and Literature in Heidegger’s ‘Work of Art’ Essay
  19. Ireland, Literature, and Truth: Heideggerian Themes in “The Dead”
  20. Effect of time lag and use of compensators in the active control of buildings subjected to earthquake excitations