All Stories

  1. Jennifer Saltzstein, The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry, Gallica 30. Woodbridge: D.S. Brewer, 2013. xii+194 pp. £60. ISBN 978 1 84384 349 8.

    Article • Plainsong and Medieval Music, February 2014, Cambridge University Press

    Professor Elizabeth Eva Leach

  2. Johannes de Grocheio , Ars Musice , ed. and trans. Constant J. Mews, John N. Crossley, Catherine Jeffreys, Leigh McKinnon, and Carol J. Williams. (TEAMS Varia.) Kalamazoo, MI: Medieval Institute Publications, 2011. Paper. Pp. ix, 168; tables. $20. ISB...

    Article • Speculum, April 2013, University of Chicago Press

    Professor Elizabeth Eva Leach

  3. Song and subjectivity

    Article • Early Music, August 2012, Oxford University Press (OUP)

    Professor Elizabeth Eva Leach

  4. 3. Poet as Musician

    Article • January 2012, Brill

    Professor Elizabeth Eva Leach

  5. Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song

    Article • October 2011, Oxford University Press (OUP)

    Professor Elizabeth Eva Leach

  6. Elizabeth Eva Leach Responds

    Article • Music Theory Spectrum, October 2011, Oxford University Press (OUP)

    Professor Elizabeth Eva Leach

  7. Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts

    Article • Music Theory Spectrum, April 2011, Oxford University Press (OUP)

    Professor Elizabeth Eva Leach

  8. Music and Verbal Meaning: Machaut's Polytextual Songs

    Article • Speculum, July 2010, University of Chicago Press

    Professor Elizabeth Eva Leach

  9. Machaut's peer, Thomas Paien

    Article • Plainsong and Medieval Music, September 2009, Cambridge University Press

    Professor Elizabeth Eva Leach

  10. The Chansonnier of Oxford Bodleian MS Douce 308: Essays and Complete Edition of Texts

    Article • Music and Letters, August 2006, Oxford University Press (OUP)

    Professor Elizabeth Eva Leach

  11. Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression

    Article • Music Theory Spectrum, April 2006, Oxford University Press (OUP)

    Professor Elizabeth Eva Leach

  12. Anne Walters Robertson, Guillaume de Machaut and Reims: Context and Meaning in His Musical Works. Cambridge: Cambridge University Press, 2002. ISBN 0 521 41876 3 hardcover.

    Article • Plainsong and Medieval Music, April 2004, Cambridge University Press

    Professor Elizabeth Eva Leach

  13. Love, Hope, and the Nature of Merci in Machaut's Musical Balades Esperance (B13) and Je ne cuit pas (B14)

    Article • French Forum, January 2003, Project Muse

    Professor Elizabeth Eva Leach

  14. Death of a Lover and the Birth of the Polyphonic Ballade: Machaut's Notated Ballades 1–5

    Article • Journal of Musicology, January 2002, University of California Press

    Professor Elizabeth Eva Leach

  15. Cristle Collins Judd (ed.), Tonal Structures in Early Music

    Article • Music Analysis, July 2001, Wiley

    Professor Elizabeth Eva Leach

  16. Vicars of ‘Wannabe’: authenticity and the Spice Girls

    Article • Popular Music, May 2001, Cambridge University Press

    Professor Elizabeth Eva Leach

  17. Machaut's balades with four voices

    Article • Plainsong and Medieval Music, April 2001, Cambridge University Press

    Professor Elizabeth Eva Leach

  18. Interpretation and Counterpoint: The Case of Guillaume de Machaut's De Toutes Flours

    Article • Music Analysis, October 2000, Wiley

    Professor Elizabeth Eva Leach

  19. Fortune's demesne: the interrelation of text and music in Machaut'sIl mest avis(B22),De fortune(B23) and two related anonymous balades

    Article • Early Music History, October 2000, Cambridge University Press

    Professor Elizabeth Eva Leach

  20. Counterpoint and Analysis in Fourteenth-Century Song

    Article • Journal of Music Theory, April 2000, Duke University Press

    Professor Elizabeth Eva Leach

  21. Guillaume de Machaut. Le Livre dou Voir Dit (The Book of the True Poem). Edited by Daniel Leech-Wilkinson; translated by R. Barton Palmer. Garland Library of Medieval Literature 06A; Garland Reference Library of the Humanities 1732. New York and...

    Article • Plainsong and Medieval Music, April 2000, Cambridge University Press

    Professor Elizabeth Eva Leach

  22. Counterpoint and Compositional Process in the Time of Dufay: Perspectives from German Musicology. Ed. and trans. Kevin N. Moll (Garland, 1997). ISBN 0 8153 2346 8.

    Article • Plainsong and Medieval Music, October 1999, Cambridge University Press

    Professor Elizabeth Eva Leach

  23. The fourteenth century

    Article • Cambridge University Press

    Professor Elizabeth Eva Leach

  24. Popular music

    Article • Cambridge University Press

    Professor Elizabeth Eva Leach

  25. The sound of beauty

    Article • Cambridge University Press

    Professor Elizabeth Eva Leach