All Stories

  1. An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art
  2. Middle Palaeolithic flint procurement in Central Mediterranean Iberia: Implications for human mobility
  3. Europe: Prehistoric Rock Art
  4. Portable Art Recording Methods
  5. In glacial environments beyond glacial terrains: Human eco-dynamics in late Pleistocene Mediterranean Iberia
  6. Latest developments in rock art recording: towards an integral documentation of Levantine rock art sites combining 2D and 3D recording techniques
  7. Preliminary analysis of Palaeolithic black pigments in plaquettes from the Parpalló cave (Gandía, Spain) carried out by means of non-destructive techniques
  8. The end of the Upper Palaeolithic in the Mediterranean Basin of the Iberian Peninsula
  9. Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art
  10. Terrestrial laser scanning and close range photogrammetry for 3D archaeological documentation: the Upper Palaeolithic Cave of Parpalló as a case study
  11. The Upper Paleolithic Rock Art of Iberia