All Stories

  1. Claire Monk, Heritage Film Audiences: Period Films and Contemporary Audiences in the UK
  2. Claire Monk . Heritage Film Audiences: Period Films and Contemporary Audiences in the UK . Edinburgh: Edinburgh University Press, 2011. Pp. 240. £65.00 (cloth).
  3. Claire Monk, Heritage Film Audiences: Period Films and Contemporary Audiences in the UK (Edinburgh: Edinburgh University Press, 2011), pp. 240, ISBN 9780748638246 (hb), £65.
  4. ‘If You Can't Make a Good Political Film, Don't’: Pawel Pawlikowski's Resistant Poetic Realism
  5. Paul Dave, Visions of England: Class and Culture in Contemporary Cinema (Oxford and New York: Berg, 2006), pp. 205, ISBN 978 1 84520 293 4 (pb), £17.99, ISBN 978 1 84520 292 7 (hb), £53.00.
  6. Heritage Film AudiencesPeriod Films and Contemporary Audiences in the UK
  7. Introduction
  8. The Heritage Film Debate: From Textual Critique to Audience
  9. The Heritage Audience Survey: Methodology and Issues
  10. Demographics and Identities: A Portrait of the Survey Respondents
  11. Respondents' Film Viewing Habit(u)s
  12. Patterns of Film Taste: Period and Non-Period Films
  13. Audience Pleasures, Attitudes and Perspectives 1: Visual Pleasure and ‘Authenticity’, Engagement and Escape
  14. Audience Pleasures, Attitudes and Perspectives 2: ‘Quality’, Literary Pleasures, Adaptation and Cultural Value
  15. Conclusions: Period Film Audiences, the Heritage Film Debate and Audience Studies
  16. ‘Where I Come From, We Eat Places Like This For Breakfast’: Aki Kaurismäki's I Hired a Contract Killer as Transnational Representation of Local London
  17. London and Contemporary Britain in Monkey Dust