All Stories

  1. Currer Bell, Charlotte Brontë and the Construction of Authorial Identity
  2. Editor's Note
  3. William Shenstone's Poetry, The Leasowes and the Intermediality of Reading and Architectural Design
  4. Image Making in James Thomson’s The Seasons
  5. Design, Media, and the Reading of Thomson’s The Seasons
  6. Introduction
  7. Inscribing Memory: Elegies to the Rev. Joseph Foord
  8. Print Culture and Visual Interpretation in Eighteenth-Century German Editions of Thomson's The Seasons
  9. The Illustrated Pocket Diary: Generic Continuity and Innovation, 1820–40
  10. William Beckford's EPISODES OF VATHEK and the Architecture of Identity
  11. Print Culture, Marketing, and Thomas Stothard’s Illustrations for The Royal Engagement Pocket Atlas, 1779–1826
  12. William Hymers and the Editing of William Collins's Poems, 1765–97
  13. The Architectural Design of Beckford's Vathek
  14. Cavendish's Body of Knowledge
  15. Margaret Cavendish's Mythopoetics: By Way of Introduction
  16. Knowledge Economies inAgnes Grey
  17. The Architectural Design of Beckford’s Vathek
  18. Print Culture, High-Cultural Consumption, and Thomson's The Seasons, 1780–1797
  19. William Hymers and the Editing of William Collins's Poems, 1765–1797
  20. The Politics of Improvement in Thomas Holcroft’s Anna St Ives
  21. Reading Eighteenth-Century Poetry
  22. Curiosity, Surveillance and Detection in Charlotte Brontë'sVillette
  23. Editorial
  24. Sensibility, the Servant and Comedy in Radcliffe's The Mysteries of Udolpho
  25. William Collins and Haplotes
  26. SARAH PEARSON'S GOTHIC VERSE TALES
  27. Painterly ‘readings’ ofThe Seasons, 1766–1829
  28. Richard Savage's Hag
  29. Synthesising Difference: Charlotte Brooke'sReliques of Irish Poetry, the Construction of Identity and the Politics of the Literary Collection
  30. Milton's L'Allegro and Collins's Ode on the Poetical Character
  31. Salomon Gessner and Collins’s Oriental Eclogues
  32. Wordsworth and Collins
  33. Joseph Warton's “Ode to Fancy”and the Descriptive-Allegoric Ode
  34. David Mallet and Barton Booth: A New Letter
  35. Synthesizing Difference : Charlotte Brooke's Reliques of Irish Poetry, the Construction of Identity and the Politics of the Literary Collection
  36. William Collins and the Goddess Natura
  37. Introduction
  38. Book Review
  39. A poet with a “bad Ear”? Some notes on the harmony of William Collins'sOde to Evening
  40. An Unnoticed "Review" of Mallet'sThe Excursion
  41. William Collins, grace and the “cest of amplest power”
  42. "To Gaze" in Collins's Ode on the Poetical Character
  43. Charlotte Brontë’sJane Eyre, the Female Detective and the ‘Crime’ of Female Selfhood
  44. William Collins’s Odes : description and the "Silent Eye”
  45. Susanna Pearson and the “Elegiac” Lyric1
  46. Hermogenes as a Possible Source for William Collins's "Sweetness"
  47. William Collins and the "Zone"
  48. A Possible Source for Horace Walpole's "Otranto"
  49. Overcoming Tyranny: Love, Truth and Meaning in Shelley'sPrometheus Unbound
  50. David Mallet and Thomas Percy
  51. David Mallet and David Garrick
  52. ‘Night’ in the Long‐Poems of Mallet, Savage and Thomson
  53. Collins's ODE TO EVENING
  54. David Mallet and Lord Bolingbroke
  55. Some notes on William Mason and his use of the ‘hymnal’ ode
  56. Love, Honour, and Duty in James Thomson's "Tancred and Sigismunda" (1745)
  57. New Light on David Mallet
  58. William Shenstone and "Flattery"
  59. Thomas Love Peacock's ‘Mr Asterias’ Reconsidered
  60. David Mallet and George Lyttleton: New Letters
  61. David Mallet and Edward Jerningham: A New Letter
  62. Some Additions to the Shenstone Canon
  63. Two New Poems by Anna Seward
  64. Mentorship and "Patronage" in Mid-Eighteenth-Century England : William Shenstone Reconsidered
  65. WILLIAM SHENSTONE AND JAMES THOMSON: A NEW POEM