All Stories

  1. Reading the geographies of post-war British film culture through the reception of French film
  2. Circles, Columns and Screenings: Mapping the Institutional, Discursive, Physical and Gendered Spaces of Film Criticism in 1940s London
  3. ‘Intolerable Flippancy’: The Arnot Robertson V. Mgm Libel Case (1946–1950) and The Evolution of BBC Policy on Broadcast Film Criticism
  4. ‘Doing the Work of the NFT in Nottingham’ – or How to Use the BFI to Beat the Communist Threat in Your Local Film Society