All Stories

  1. Culture, communication and cross-media arts studies: transnational cinema scholarship perspectives
  2. ‘Seeing red’: cultural studies in global comparison
  3. Imitation, Collaboration, and Their Interaction Among Western and Indigenous Australian Preschool Children
  4. Ideological contestation and disciplinary associations: An autoethnographic analysis
  5. Smaller Lens, Bigger Picture
  6. Practices in scholarly publishing: making sense of rejection
  7. New political economies of film distribution for South Africa's townships? A critical survey of theReaGilèconcept
  8. Griots, satirical columns, and the micro-public sphere
  9. Encoding/decoding, the transmission model and a court of law
  10. The Complete Sol Worth
  11. Public self-expression: Decolonising researcher–researched relationships
  12. (Un-)Disciplined indiscipline. Thelangueandparoleof film studies in a post-disciplinary world
  13. Accessing the archive: A TV history of Afrikaans film
  14. Virtual Religion, the Fantastic, and Electronic Ontology
  15. Child pornography and the law: Of Good Report (2013). Reopening debates on secrecy, information and censorship
  16. Exploring tool innovation: A comparison of Western and Bushman children
  17. Where Is the Theory in Visual Anthropology?
  18. Who owns what? Indigenous knowledge and struggles over representation
  19. Researching the San, San/ding the research
  20. Nobel Laureate Nadine Gordimer dies
  21. Where Culture Takes Hold: “Overimitation” and Its Flexible Deployment in Western, Aboriginal, and Bushmen Children
  22. New directions
  23. Nollywood production, distribution and reception
  24. Stuart Hall
  25. Film cities and competitive advantage: Development factors in South African film
  26. Visualizing Different Kinds of Writing: Auto-ethnography, Social Science
  27. Audience Response in Film Education
  28. CONFERENCE REPORT
  29. Cultural Tourism and Identity
  30. The researcher's guide to Ethiopia: what travel guides don't tell you
  31. Consuming nature: Antarctica, penguins and pollution
  32. Introduction
  33. Alter-egos: Cultural and media studies
  34. The !Xaus Lodge Experience: Matters Arising
  35. Place, Representation and Myth
  36. Making Sense of the Indigenous: Who’s Looking at Whom?
  37. “Die Geld is Op” – Storytelling, Business and Development Strategies
  38. Research Phases: What Have We Been Doing?
  39. Theory Meets Theatre Practice: Making a Difference to Public Health Programmes in Southern Africa. Professor Lynn Dalrymple: South African Scholar, Activist, Educator
  40. Twitter and African Academia
  41. Photojournalism, media freedom and democracy
  42. Mirror communities and straw individualisms: Essentialism, cinema and semiotic analysis
  43. Brown-red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film, 1927–48
  44. Reviews
  45. ‘Culture’ is not benign
  46. All the world's a brothel: metaphysics of the text and cultural economy in the information age
  47. Bumping into Reality, Brutal Realism and Bafundi 2009: Some Thoughts on a Student Film Festival
  48. Sex, morality and AIDS: The perils of moralistic discourses in HIV prevention campaigns among university students
  49. (Afri)Ethics, Communitarianism and Libertarianism
  50. Not Another Media Journal?
  51. Harrow Ken. Postcolonial African Cinema: From Political Engagement to Postmodernism. Bloomington: Indiana University Press, 2007. Photographs. Figures. Notes. Filmography. Bibliography. Index, xvii + 269 pp. $65.00. Cloth. $25.95. Paper.
  52. (Re)Mediatizing HIV/AIDS in South Africa
  53. Condom brands, perceptions of condom efficacy and HIV prevention among university students in KwaZulu-Natal, South Africa
  54. Repositioning African media studies: thoughts and provocations
  55. Thirty years of publishing
  56. Repositioning African media studies: thoughts and provocations
  57. New Public Spheres: The Digital Age and Big Brother
  58. À la rencontre de Sembène
  59. Film and Trauma: Africa Speaks to Itself through Truth and Reconciliation Films
  60. Unfinished business: pragmatics and the paradox of Arnold Shepperson
  61. Paradigms in South African cinema research: Modernity, the New Africa Movement and beyond
  62. Exogenous and Endogenous Democracy: South African Politics and Media
  63. Editorial Statement: African Cultural Studies
  64. Semiotics in an African context: listening to reality
  65. ‘At the Other End of the camera’: Film through history in John Marshall's documentaries
  66. A Review of: “Handbook of Material Culture”
  67. A Review of: “Images: A Reader”
  68. Internationalising Media Studies
  69. Intellectual property rights and the political economy of culture
  70. Rereading theGods Must be CrazyFilms
  71. Dialectical Intellectuals, Essentialism and the African Renaissance
  72. Made in China: The Gods Go East
  73. Editorial
  74. Paradigm, position and partnerships: Difference in communication studies
  75. Back to the future: Governance, policy and procedure
  76. Research to do, results to sell: Enabling subjects and researchers
  77. Cultural Studies is the Crisis: Culturalism and Dynamic Justice
  78. Introduction
  79. Transformation of the South African Media
  80. Stories to tell, stories to sell: resisting textualization
  81. Special Issue: From One to An-Other: Auto-Ethnographic Explorations in Southern Africa: Introduction
  82. “Dit is Die here Se Asem”: The Wind, its Messages, and Issues of Auto-Ethnographic Methodology in the Kalahari
  83. The Media and Mandela
  84. Disarticulating Black Consciousness
  85. Reviews
  86. Introduction
  87. Current writing15 special issuewriting in the san/d, video and photography
  88. ’Op die grond‘: Writing in the san/d, surviving crime
  89. “Where's Shaka Zulu?”: Shaka Zulu as an intervention in contemporary political discourse
  90. What Relevance Cultural Studies Post–September 11th?
  91. 17. “Speaking in Tongues, Writing in Vision”: Orality and Literacy in Televangelistic Communications
  92. Journalism education: bridging media and cultural studies
  93. Restructuring the industry: South African cinema beyond Apartheid
  94. Ethics: a radical justice approach
  95. Romancing the Kalahari: Personal journeys of methodological discovery
  96. "…We Have to Work with our own Heads" (/Angn!ao): San Bushmen and the Media
  97. Multicultural Education in the United States
  98. The semiotics of anthropological authenticity: The film apparatus and cultural accommodation
  99. The Fulbright Experience
  100. Re-Semiotizing the South African Democratic Project: The African Renaissance
  101. Rock art, the art of tracking, and cybertracking: Demystifying the “Bushmen” in the information age
  102. Revisiting media and human rights
  103. Cultural Studies as ‘Psycho-babble’. Post-LitCrit, methodology and dynamic justice
  104. Media monitoring methodology: doing it with rhetoric; doing it with numbers
  105. A Confusion of Cinematic Consciousness
  106. South African Cinema Beyond Apartheid: Affirmative Action in Distribution and Storytelling
  107. Policing the text: disciplinary threats and spin doctoring
  108. Let there be hypermedia …
  109. Identity and ethnicity through multiple windows
  110. The Australian journalism vs cultural studies debate: implications for South African media studies
  111. South African Journalism and Mass Communication Scholarship: negotiating ideological schisms
  112. Iindawo Zikathixo (In God's Places):Iindawo Zikathixo (In God's Places).
  113. The San Bush-People of the Kalahari:The San Bush-People of the Kalahari.
  114. The poverty of journalism: Media studies and 'science'
  115. Cultural studies and renaissance in Africa: recovering praxis
  116. Cultural studies in Africa: Positioning difference
  117. Structured absences: Shot logs on the Marshall family expeditionary films, 1950–1958
  118. Powering popular conceptions: The !Kung in the Marshall family expedition films of the 1950s
  119. Textualizing the san “past”: Dancing with development
  120. Encounters in the Kalahari: Some points of departure
  121. Book reviews
  122. Trajectories of mobility, films and travelling academics
  123. Film and human rights: Whose rights, whose interpretations, what consequences?
  124. Transcending prison as a metaphor of apartheid
  125. Orality, rhythmography and visual representation
  126. Resistance Through Mediated Orality
  127. Academocracy and promotion: fuglemanship vs kludgemanship
  128. Accepting the other: On the Ethics of Intercultural Communication in Ethnographic Film
  129. ‘Pretoria, here we come’: re-historicising the post-apartheid future
  130. The Viewers' Declaration of Independence. A manifesto of the Cultural Environment Movement A commentary
  131. Bibliography and ideology: Keyan Tomaselli replies to Nancy Schmidt
  132. Chopi Music of Mozambique
  133. National symbols: cultural negotiation and policy beyond apartheid
  134. Negotiations, transitions and uncertainty principles:Critical Artsin the worlds of the post
  135. Misreading theory, sloganising analysis: The development of South African media and film policy
  136. Book reviews
  137. Introduction
  138. Theoretical perspectives on cinema in Africa: Culture, identity and Diaspora
  139. Media In and On Africa: A Review of Recent Books
  140. African Stars: Studies in Black South African Performance. VEIT ERLMANN
  141. Media monitoring and methodology
  142. Mandela, MTV, Television and apartheid
  143. Revisualizing the San in the Nineteen‐Eighties
  144. ‘African’ Cinema — Theoretical Perspectives on Some Unresolved Questions
  145. ‘Colouring It In’: Films in ‘Black’ or ‘White’ - Reassessing Authorship
  146. Disarticulating black consciousness: a way of reading films about apartheid
  147. REVIEWS
  148. People of the Great Sandface
  149. The role of the media in promoting intercultural communication in South Africa
  150. The fulbright experience: An incoherent African perspective
  151. Editor's Introduction
  152. Broadcasting in South Africa
  153. Popular Communication in South Africa: “Mapantsula” and its Context of Struggle
  154. Maids and Madams-Apartheid and Servants
  155. Annoying Anthropologists: Jamie Uys's Films on 'Bushmen' and Animals
  156. Freedom Square/ The Bride Market oflmilchil & Morocco, Body and Soul
  157. Whatever happened to struggle part 2?
  158. Video, realism and class struggle: Theoretical lacunae and the problem of power
  159. Community and Class Struggle: Problems in Methodology
  160. Reviews
  161. Technology, technique and society
  162. A contested terrain: Struggle through culture
  163. Les transferts technologiques et l'éducation dans les pays du Tiers Monde
  164. ‘CULTURE’ AS THEATRE-GOING, ‘ARTS’ AS BUILDINGS: A CRITIQUE OF ‘DIFFERENCE’ IN A SOUTH AFRICAN PROPAGANDA FILM
  165. Race, class and the South African progressive press
  166. Ideologie, kultuur en hegemonie: Toerusting vir media-ontleding
  167. Popular Memory and the Voortrekker Films
  168. Media graphics as an interventionist strategy
  169. The Economics of Racism
  170. Some introductory notes on theory and its role and function in the study of media
  171. Ideology/Culture/Hegemony and Mass Media in South Africa: A Literature Survey
  172. View Two: Conflicting Paradigms and Ideologies
  173. Siege mentality
  174. Preface
  175. The Semiotics of Alternative Theatre in South Africa
  176. IDEOLOGY AND CENSORSHIP IN SOUTH AFRICAN FILM
  177. Cape Town, South Africa film festival and conference
  178. Follow That Rainbow: Operation Update
  179. Class and Ideology: Reflections in South African Cinema
  180. Audience Response in Film Education
  181. “Self” and “Other”: Auto-Reflexive and Indigenous Ethnography