All Stories

  1. In Defence of the Acquaintance Principle in Aesthetics
  2. What is an aesthetic concept?
  3. Centred worlds, personal identity and imagination
  4. Aesthetic Realism and Manifest Properties
  5. Pretending and disbelieving
  6. Metaphysical Egoism and Personal Identity
  7. Derek Parfit’s Reasons and Persons
  8. Personal Identity and Trivial Survival
  9. Animalism, Abortion, and a Future Like Ours
  10. On the Study of Imaginative Resistance
  11. The future‐like‐ours argument, animalism, and mereological universalism
  12. Personal Identity and Applied Ethics
  13. Buddhist no-self approach and nihilism
  14. Life-extending enhancements and the narrative approach to personal identity
  15. The Early Reception of Bernard Williams’ Reduplication Argument (1956–62)
  16. Aesthetic Value, Artistic Value, and Morality
  17. The Will to Make-Believe: Religious Fictionalism, Religious Beliefs, and the Value of Art
  18. The animal, the corpse, and the remnant-person
  19. The Acquaintance Principle, Aesthetic Judgments, and Conceptual Art
  20. The Definition of Religion, Super-empirical Realities and Mathematics
  21. Buddhist Reductionism, Fictionalism about the Self, and Buddhist Fictionalism
  22. Gendler on the Puzzle(s) of Imaginative Resistance
  23. Sibley on ‘Beautiful’ and ‘Ugly’
  24. Art and Morality
  25. The Merited Response Argument and Artistic Categories
  26. Life extension and the burden of mortality: Leon Kass versus John Harris
  27. Modal Fictionalism, Possible Worlds, and Artificiality
  28. Functional Beauty, Perception, and Aesthetic Judgements
  29. Ethicism and Immoral Cognitivism: Gaut versus Kieran on Art and Morality
  30. The Structure and Content of Architectural Experience: Scruton on Architecture as Art
  31. Functional Beauty, Architecture, And Morality: A Beautiful Konzentrationslager?
  32. Modal Scepticism, Unqualified Modality, and Modal Kinds
  33. Ontology, Reference, and the Qua Problem: Amie Thomasson on Existence
  34. Fictional objects, non-existence, and the principle of characterization
  35. Philosophical Perspectives on Fictional Characters
  36. Concrete possible worlds and counterfactual conditionals: Lewis versus Williamson on modal knowledge