All Stories

  1. Flat as a wall or flat as a butcher’s hand
  2. Imposed Metaphoricity
  3. Taxonomic and ad hoc categorization within the two cerebral hemispheres
  4. Element Order in Metaphorical and Literal Phrases
  5. Language effects on the conceptualization of hybrids
  6. The making of theatrical groupings: A cognitive perspective
  7. The farmers sowed seeds and hopes
  8. How to interpret the music of caressing: Target and source assignment in synaesthetic genitive constructions
  9. `Heard melodies are sweet, but those unheard are sweeter': synaesthetic metaphors and cognition
  10. Two levels of foregrounding in literary narratives
  11. 4. Evaluation devices as a coordinating mechanism for story points
  12. Cognitive constraints on verbal creativity
  13. Conventional Language: How Metaphorical Is It?
  14. Principles of metaphor interpretation and the notion of ‘domain’: A proposal for a hybrid model
  15. The poetics of mind: Figurative thought, language, and understanding
  16. Metaphorical (In)coherence in discourse
  17. Zeugma: Prototypes, Categories, and Metaphors
  18. Semantic transparency and translucency in compound blissymbols
  19. Metaphors and conceptual structure
  20. Cristina Cacciari (ed), Similarity in Language, Thought, and Perception
  21. Cognitive constraints on poetic figures
  22. Cognitive constraints on directionality in the semantic structure of poetic vs. non-poetic metaphors
  23. Degrees of narrativity and strategies of semantic reduction
  24. Connectivity and Metaphor Comprehension
  25. Metaphors and Categories
  26. Cognitive Aspects of Metaphor Comprehension: An Introduction
  27. Schemata, Categories, and Metaphor Comprehension
  28. CENTRALITY AND CAUSAL RELATIONS IN NARRATIVE TEXTS
  29. Symmetric and asymmetric comparisons
  30. The X-Bar grammar for stories: Story grammar revisited
  31. Schema theory and the processing of narrative texts: The x-bar story grammar and the notion of discourse topic
  32. On the Structure and Understanding of Poetic Oxymoron
  33. On Importance Hierarchy and Evaluation Devices in Narrative Texts
  34. Metaphor and poetic figures
  35. ‘Parsing’ procedures for stories
  36. Why Do We Need Evaluation Devices Anyway?