All Stories

  1. Landscape Art and the Art of Dance (for the Dancer): Two Choreographies
  2. Preliminary Material
  3. Creating Expressive Landscape
  4. Feelings are Uniquely Correlated with Kinesthetic Patterns
  5. Emotion and Feeling: Two Distinct Kinesthetic Phenomena
  6. Does Landscape Possess “An Artworld” and “An Art History?”
  7. Landscape, Earthworks, and Site-Specific Sculpture
  8. Introduction to Part 4
  9. Considering Kinesthesia Resolves Many Problems
  10. Introduction to Part 1
  11. Landscape and the Art of Music
  12. Introduction to Part 3
  13. Landscape and the Art of Painting
  14. Modes of Representing Landscape
  15. Introduction
  16. Kinesthesia, Expression, Landscape: Some Concluding Thoughts
  17. Whole-Body Kinesthesia: How Movement Feels
  18. Introduction to Part 6
  19. Four Theories of Artistic Expression
  20. Traditional Concepts of Landscape
  21. Contemporary Approaches to the Problem of Representation
  22. Kinesthesia’s Unique Role in the Art of Landscape
  23. Introduction to Part 2
  24. Kinesthesia, the “Sixth Sense,” is Based in Bodily Movement
  25. A New Theory of Aesthetics
  26. Recent Efforts to Resolve the Conceptual Problem
  27. Do Landscape’s Materials Inhibit Expressivity?
  28. Kinesthesia in the Perception of Depth
  29. Landscape and the Art of Architecture
  30. A Walk in the Forest: Kinesthesia in Landscape’s Aesthetic Medium
  31. Introduction to Part 5
  32. The Role of “Mirror Neurons” in Felt Emotion
  33. Contributions from an Expanded Field of Philosophical Aesthetics
  34. Landscape and the Art of Cinema
  35. Subjective Evidence of Kinesthesia in Depth Perception: Experiences of Landscape and Painting
  36. Landscape and the Art of Dance (for the Spectator)
  37. Landscape and the Art of Sculpture
  38. Feeling Is Movement