All Stories

  1. Unreliable Narration and Moral Culpability in Agatha Christie’s “Motive vs. Opportunity”
  2. Ruthlessness in Agatha Christie's Nemesis
  3. Early Robinson Crusoe trade cards in Germany: making sense of the classic through popular visual culture
  4. A Roundtable Discussion of Transnational Crusoe, Illustration and Reading History, 1719–1722
  5. Studies in the Period Illustration of Eighteenth‐Century British Literature, 1935–2025
  6. Illustrations as Media of Ethical Criticism in Whitefield’s Life of Pamela (1741)
  7. Neoclassical World-Making in William Collins’s Odes
  8. Transnational Crusoe, Illustration and Reading History, 1719–1722
  9. 24. Text Transformed into Silkwork: British Needlework Pictures and the Adaptation of Charlotte at the Tomb of Werter
  10. Georgian Literary Needlework Pictures, Realization, and Iconic Meaning‐Making
  11. Community and Georgic transformation in Goldsmith’s The Deserted Village and Crabbe’s The Village
  12. Robert Burns and Book Illustration
  13. James Thomson
  14. James Montgomery’s “Gazing Maniac” and James Thomson’s Celadon
  15. Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson
  16. Fulcher’s Ladies’ Memorandum Book and Poetical Miscellany, Illustrations, and the Mapping of Format Change
  17. “The Robber’s Daughter” and “Die Nymphe des Brunnens”
  18. The Visual Anatomy of Falconer's The Shipwreck, 1762–1818
  19. Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed
  20. Function and Transformation in the Design and Interpretive Inscription of Frontispieces to Thomson’s The Seasons , 1767–1825
  21. Editor’s Note
  22. Preissler’s Plates for Zachariae’s Die Tageszeiten (1756): Strategies of Iconotextual Meaning-Making and Visual Criticism
  23. Visual Literary Criticism and Eighteenth-Century Literary Illustration. Introduction
  24. Text technologies, illustrated editions as multi-technological hybrids, and William Falconer's The Shipwreck, 1762–1808
  25. Amplifying Reading Experience: Illustrations to Longueville’s The English Hermit, 1727–1799
  26. Isaiah Thomas’s Illustrated Imprints in the 1790s: The Provenance, Uses, and Production of their Illustrations
  27. William Shenstone, Visual Culture and Relational Media Practices
  28. Proot, Goran, David McKitterick, Angela Nuovo, and Paul F. Gehl (eds). Lux Librorum: Essays on Books and History for Chris Coppens. Mechelen: Flanders Book Historical Society, 2018. xliv, 244 pp. €40.00. Softcover (ISBN: 978-9-0829-2760-3).
  29. G. L. Crusius, Leipzig Artist and Engraver, and His Literary Illustrations in the 1750s
  30. Winding the Horn: Collins’s Beetle and Rogers’s Bee
  31. Ephemeral Spenser
  32. Literary Ephemera
  33. The Role of Visual Culture in the Patriotic Editions of the Morisons of Perth: From “The Scotish Poets” to The Poems of Ossian
  34. Editor’s Preface
  35. Les Saisons (The Seasons) de Thomson : mobilités textuelles et étude bibliographique des échanges iconographiques
  36. Shillingsburg, Peter. Textuality and Knowledge: Essays. University Park, PA: The Pennsylvania State University Press, 2017. Penn State Series in the History of the Book. xii, 222 pp. $150.00. Illus. (ISBN: 978-0-2710-7850-2).
  37. An American Parody of Thomson’s “Celadon and Amelia” Tale
  38. Reineke Fuchs – Reynard the Fox: Zeichnungen und Radierungen von Johann Heinrich Ramberg. Textauszüge von Dietrich Wilhelm Soltau
  39. Maxime Leroy, A Study of Authorial Illustration: The Magic Wonder
  40. The Color-Printed Plates for Edward Jeffery’s Edition of Walpole’s Castle of Otranto (1796)
  41. Sarah Pearson (1767–1833): A Laboring-Class Sheffield Poet’s Career and Work
  42. Robert Morison’s Collections of Extracts,The General Magazine, and the Reprinting of Illustrations
  43. Ode
  44. The Other Pamela : Readership and the Illustrated Chapbook Abridgement
  45. Thomson’sThe Seasons, Textual Mobility, and Bibliographical Inter-Iconicity
  46. “The Sands of Dee”: Its Popular Appeal and Textual Life
  47. Thomson, Macpherson, Ramsay, and the Making and Marketing of Illustrated Scottish Literary Editions in the 1790s
  48. Introduction
  49. Thomas Stothard, Milton and the Illustrative Vignette: The Houghton Library Designs for The Royal Engagement Pocket Atlas
  50. Introduction
  51. Currer Bell, Charlotte Brontë and the Construction of Authorial Identity
  52. Humphry Repton’sThe Beeand Boydell’s Shakespeare Gallery
  53. Introduction
  54. Editor's Note
  55. William Shenstone's Poetry, The Leasowes and the Intermediality of Reading and Architectural Design
  56. Image Making in James Thomson’s The Seasons
  57. Design, Media, and the Reading of Thomson’s The Seasons
  58. Introduction
  59. Inscribing Memory: Elegies to the Rev. Joseph Foord
  60. A Possible Source for Thomson's 'Damon and Musidora'
  61. Print Culture and Visual Interpretation in Eighteenth-Century German Editions of Thomson's The Seasons
  62. The Illustrated Pocket Diary: Generic Continuity and Innovation, 1820–40
  63. William Beckford's EPISODES OF VATHEK and the Architecture of Identity
  64. Print Culture, Marketing, and Thomas Stothard’s Illustrations for The Royal Engagement Pocket Atlas, 1779–1826
  65. XI * The Eighteenth Century
  66. William Hymers and the Editing of William Collins's Poems, 1765–97
  67. The Architectural Design of Beckford's Vathek
  68. Cavendish's Body of Knowledge
  69. Margaret Cavendish's Mythopoetics: By Way of Introduction
  70. Knowledge Economies inAgnes Grey
  71. John Ragsdale and William Collins Once Again
  72. Thomas Stothard's Illustrations for The Royal Engagement Pocket Atlas, 1779-1826
  73. The Architectural Design of Beckford’s Vathek
  74. Print Culture, High-Cultural Consumption, and Thomson's The Seasons, 1780–1797
  75. William Hymers and the Editing of William Collins's Poems, 1765–1797
  76. XI * The Eighteenth Century
  77. The Politics of Improvement in Thomas Holcroft’s Anna St Ives
  78. Thomson's The Seasons and the Tragic-Sentimental Verse Tale
  79. Reading Eighteenth-Century Poetry
  80. Curiosity, Surveillance and Detection in Charlotte Brontë'sVillette
  81. Editorial
  82. Sensibility, the Servant and Comedy in Radcliffe's The Mysteries of Udolpho
  83. Visual Interpretations, Print, and Illustrations of Thomson's The Seasons, 1730 - 1797
  84. William Collins and Haplotes
  85. XI * The Eighteenth Century
  86. SARAH PEARSON'S GOTHIC VERSE TALES
  87. Painterly ‘readings’ ofThe Seasons, 1766–1829
  88. New Verse by Joseph Warton
  89. Richard Savage's Hag
  90. Milton's L'Allegro and Collins's Ode on the Poetical Character
  91. Salomon Gessner and Collins’s Oriental Eclogues
  92. William Newton: Anna Seward's “Peak Ministrel”
  93. Wordsworth and Collins
  94. Joseph Warton's “Ode to Fancy”and the Descriptive-Allegoric Ode
  95. Notes et documents
  96. David Mallet and Barton Booth: A New Letter
  97. Synthesizing Difference : Charlotte Brooke's Reliques of Irish Poetry, the Construction of Identity and the Politics of the Literary Collection
  98. William Collins and the Goddess Natura
  99. Introduction
  100. Book Review
  101. William Collins's "Ode to Simplicity" and the Tail-Rhyme Stanza
  102. A poet with a “bad Ear”? Some notes on the harmony of William Collins's Ode to Evening
  103. An Unnoticed "Review" of Mallet'sThe Excursion
  104. William Collins, grace and the “cest of amplest power”
  105. "To Gaze" in Collins's Ode on the Poetical Character
  106. Charlotte Brontë’sJane Eyre, the Female Detective and the ‘Crime’ of Female Selfhood
  107. Idleness Censured and Morality Vindicated: Johnson's “Lives” of Shenstone and Gray
  108. William Collins’s Odes : description and the "Silent Eye”
  109. Susanna Pearson and the “Elegiac” Lyric1
  110. Form Versus Manner: The Pindaric Ode and the ›Hymnal‹ Tradition in the Mid-Eighteenth Century
  111. Hermogenes as a Possible Source for William Collins's "Sweetness"
  112. William Collins and the "Zone"
  113. A Possible Source for Horace Walpole's "Otranto"
  114. Overcoming Tyranny: Love, Truth and Meaning in Shelley'sPrometheus Unbound
  115. David Mallet and Thomas Percy
  116. David Mallet and David Garrick
  117. Unnoticed Echoes of Collins's "Ode to Evening" in Mary Whateley's "Elegy on the Uses of Poetry"
  118. ‘Night’ in the Long‐Poems of Mallet, Savage and Thomson
  119. John Gilbert Cooper's "The Tomb of Shakespear": An Editio
  120. John Gilbert Cooper's Revisions of "The Tomb of Shakespear: A Vision"
  121. Collins's ODE TO EVENING
  122. David Mallet and Lord Bolingbroke
  123. William Mason and Count Francesco Algarotti: Two New Letters
  124. Some notes on William Mason and his use of the ‘hymnal’ ode
  125. Love, Honour, and Duty in James Thomson's "Tancred and Sigismunda" (1745)
  126. William Shenstone and ‘Flattery’
  127. New Light on David Mallet
  128. William Shenstone and "Flattery"
  129. Thomas Love Peacock's ‘Mr Asterias’ Reconsidered
  130. David Mallet and George Lyttleton: New Letters
  131. David Mallet and Edward Jerningham: A New Letter
  132. “In Quest of Mistaken Beauties”: Samuel Johnson’s “Life of Collins” Reconsidered
  133. ‘Sweetness’ in the Poetry of William Collins
  134. The Language(s) of Hierarchy in Daniel Defoe's Robinson Crusoe
  135. ›Silence‹ in Early Eighteenth-Century Poetry: Finch, Akenside, Collins
  136. Women's Writing and the Circulation of Ideas: Manuscript Publication in England, 1550–1800
  137. Some Additions to the Shenstone Canon
  138. Two New Poems by Anna Seward
  139. Mark Akenside: A Re‐Assessment
  140. William Shenstone and Mrs Jane Bennet Again
  141. William Collins's ‘on Hercules’ Reconsidered
  142. William Collins's Ode to Evening and R.L. Edgeworth
  143. Mark Akenside: A Letter Reconsidered
  144. The Descriptiveness of James Thomson’s Winter (1726) and the Early Eighteenth-Century ›Winter‹ Poem
  145. Mentorship and "Patronage" in Mid-Eighteenth-Century England : William Shenstone Reconsidered
  146. WILLIAM SHENSTONE AND JAMES THOMSON: A NEW POEM