All Stories

  1. Early Robinson Crusoe trade cards in Germany: making sense of the classic through popular visual culture
  2. A Roundtable Discussion of Transnational Crusoe, Illustration and Reading History, 1719–1722
  3. Illustrations as Media of Ethical Criticism in Whitefield’s Life of Pamela (1741)
  4. Neoclassical World-Making in William Collins’s Odes
  5. Transnational Crusoe, Illustration and Reading History, 1719–1722
  6. 24. Text Transformed into Silkwork: British Needlework Pictures and the Adaptation of Charlotte at the Tomb of Werter
  7. Georgian Literary Needlework Pictures, Realization, and Iconic Meaning‐Making
  8. Community and Georgic transformation in Goldsmith’s The Deserted Village and Crabbe’s The Village
  9. Robert Burns and Book Illustration
  10. James Thomson
  11. James Montgomery’s “Gazing Maniac” and James Thomson’s Celadon
  12. Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson
  13. “The Robber’s Daughter” and “Die Nymphe des Brunnens”
  14. Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed
  15. Function and Transformation in the Design and Interpretive Inscription of Frontispieces to Thomson’s The Seasons , 1767–1825
  16. Editor’s Note
  17. Preissler’s Plates for Zachariae’s Die Tageszeiten (1756): Strategies of Iconotextual Meaning-Making and Visual Criticism
  18. Visual Literary Criticism and Eighteenth-Century Literary Illustration. Introduction
  19. Text technologies, illustrated editions as multi-technological hybrids, and William Falconer's The Shipwreck, 1762–1808
  20. Amplifying Reading Experience: Illustrations to Longueville’s The English Hermit, 1727–1799
  21. G. L. Crusius, Leipzig Artist and Engraver, and His Literary Illustrations in the 1750s
  22. Winding the Horn: Collins’s Beetle and Rogers’s Bee
  23. Ephemeral Spenser
  24. Literary Ephemera
  25. The Role of Visual Culture in the Patriotic Editions of the Morisons of Perth: From “The Scotish Poets” to The Poems of Ossian
  26. Editor’s Preface
  27. An American Parody of Thomson’s “Celadon and Amelia” Tale
  28. Reineke Fuchs – Reynard the Fox: Zeichnungen und Radierungen von Johann Heinrich Ramberg. Textauszüge von Dietrich Wilhelm Soltau
  29. Maxime Leroy, A Study of Authorial Illustration: The Magic Wonder
  30. Sarah Pearson (1767–1833): A Laboring-Class Sheffield Poet’s Career and Work
  31. Ode
  32. The Other Pamela : Readership and the Illustrated Chapbook Abridgement
  33. Thomson’sThe Seasons, Textual Mobility, and Bibliographical Inter-Iconicity
  34. “The Sands of Dee”: Its Popular Appeal and Textual Life
  35. Thomson, Macpherson, Ramsay, and the Making and Marketing of Illustrated Scottish Literary Editions in the 1790s
  36. Introduction
  37. Thomas Stothard, Milton and the Illustrative Vignette: The Houghton Library Designs for The Royal Engagement Pocket Atlas
  38. Introduction
  39. Currer Bell, Charlotte Brontë and the Construction of Authorial Identity
  40. Humphry Repton’sThe Beeand Boydell’s Shakespeare Gallery
  41. Introduction
  42. Editor's Note
  43. William Shenstone's Poetry, The Leasowes and the Intermediality of Reading and Architectural Design
  44. Image Making in James Thomson’s The Seasons
  45. Design, Media, and the Reading of Thomson’s The Seasons
  46. Introduction
  47. Inscribing Memory: Elegies to the Rev. Joseph Foord
  48. Print Culture and Visual Interpretation in Eighteenth-Century German Editions of Thomson's The Seasons
  49. The Illustrated Pocket Diary: Generic Continuity and Innovation, 1820–40
  50. William Beckford's EPISODES OF VATHEK and the Architecture of Identity
  51. Print Culture, Marketing, and Thomas Stothard’s Illustrations for The Royal Engagement Pocket Atlas, 1779–1826
  52. William Hymers and the Editing of William Collins's Poems, 1765–97
  53. The Architectural Design of Beckford's Vathek
  54. Cavendish's Body of Knowledge
  55. Margaret Cavendish's Mythopoetics: By Way of Introduction
  56. Knowledge Economies inAgnes Grey
  57. Thomas Stothard's Illustrations for The Royal Engagement Pocket Atlas, 1779-1826
  58. The Architectural Design of Beckford’s Vathek
  59. Print Culture, High-Cultural Consumption, and Thomson's The Seasons, 1780–1797
  60. William Hymers and the Editing of William Collins's Poems, 1765–1797
  61. The Politics of Improvement in Thomas Holcroft’s Anna St Ives
  62. Thomson's The Seasons and the Tragic-Sentimental Verse Tale
  63. Reading Eighteenth-Century Poetry
  64. Curiosity, Surveillance and Detection in Charlotte Brontë'sVillette
  65. Editorial
  66. Sensibility, the Servant and Comedy in Radcliffe's The Mysteries of Udolpho
  67. Visual Interpretations, Print, and Illustrations of Thomson's The Seasons, 1730 - 1797
  68. William Collins and Haplotes
  69. SARAH PEARSON'S GOTHIC VERSE TALES
  70. Painterly ‘readings’ ofThe Seasons, 1766–1829
  71. Richard Savage's Hag
  72. Milton's L'Allegro and Collins's Ode on the Poetical Character
  73. Salomon Gessner and Collins’s Oriental Eclogues
  74. Wordsworth and Collins
  75. Joseph Warton's “Ode to Fancy”and the Descriptive-Allegoric Ode
  76. David Mallet and Barton Booth: A New Letter
  77. Synthesizing Difference : Charlotte Brooke's Reliques of Irish Poetry, the Construction of Identity and the Politics of the Literary Collection
  78. William Collins and the Goddess Natura
  79. Introduction
  80. Book Review
  81. William Collins's "Ode to Simplicity" and the Tail-Rhyme Stanza
  82. A poet with a “bad Ear”? Some notes on the harmony of William Collins'sOde to Evening
  83. An Unnoticed "Review" of Mallet'sThe Excursion
  84. William Collins, grace and the “cest of amplest power”
  85. "To Gaze" in Collins's Ode on the Poetical Character
  86. Charlotte Brontë’sJane Eyre, the Female Detective and the ‘Crime’ of Female Selfhood
  87. William Collins’s Odes : description and the "Silent Eye”
  88. Susanna Pearson and the “Elegiac” Lyric1
  89. Form Versus Manner: The Pindaric Ode and the ›Hymnal‹ Tradition in the Mid-Eighteenth Century
  90. Hermogenes as a Possible Source for William Collins's "Sweetness"
  91. William Collins and the "Zone"
  92. A Possible Source for Horace Walpole's "Otranto"
  93. Overcoming Tyranny: Love, Truth and Meaning in Shelley'sPrometheus Unbound
  94. David Mallet and Thomas Percy
  95. David Mallet and David Garrick
  96. Unnoticed Echoes of Collins's "Ode to Evening" in Mary Whateley's "Elegy on the Uses of Poetry"
  97. ‘Night’ in the Long‐Poems of Mallet, Savage and Thomson
  98. John Gilbert Cooper's "The Tomb of Shakespear": An Editio
  99. John Gilbert Cooper's Revisions of "The Tomb of Shakespear: A Vision"
  100. Collins's ODE TO EVENING
  101. David Mallet and Lord Bolingbroke
  102. William Mason and Count Francesco Algarotti: Two New Letters
  103. Some notes on William Mason and his use of the ‘hymnal’ ode
  104. Love, Honour, and Duty in James Thomson's "Tancred and Sigismunda" (1745)
  105. William Shenstone and ‘Flattery’
  106. New Light on David Mallet
  107. William Shenstone and "Flattery"
  108. Thomas Love Peacock's ‘Mr Asterias’ Reconsidered
  109. David Mallet and George Lyttleton: New Letters
  110. David Mallet and Edward Jerningham: A New Letter
  111. ‘Sweetness’ in the Poetry of William Collins
  112. ›Silence‹ in Early Eighteenth-Century Poetry: Finch, Akenside, Collins
  113. Some Additions to the Shenstone Canon
  114. Two New Poems by Anna Seward
  115. Mark Akenside: A Re‐Assessment
  116. William Shenstone and Mrs Jane Bennet Again
  117. William Collins's ‘on Hercules’ Reconsidered
  118. William Collins's Ode to Evening and R.L. Edgeworth
  119. Mark Akenside: A Letter Reconsidered
  120. The Descriptiveness of James Thomson’s Winter (1726) and the Early Eighteenth-Century ›Winter‹ Poem
  121. Mentorship and "Patronage" in Mid-Eighteenth-Century England : William Shenstone Reconsidered
  122. WILLIAM SHENSTONE AND JAMES THOMSON: A NEW POEM