All Stories

  1. Text technologies, illustrated editions as multi-technological hybrids, and William Falconer's The Shipwreck, 1762–1808
  2. Amplifying Reading Experience: Illustrations to Longueville’s The English Hermit, 1727–1799
  3. G. L. Crusius, Leipzig Artist and Engraver, and His Literary Illustrations in the 1750s
  4. Winding the Horn: Collins’s Beetle and Rogers’s Bee
  5. Ephemeral Spenser
  6. The Role of Visual Culture in the Patriotic Editions of the Morisons of Perth: From “The Scotish Poets” to The Poems of Ossian
  7. Editor’s Preface
  8. An American Parody of Thomson’s “Celadon and Amelia” Tale
  9. Reineke Fuchs – Reynard the Fox: Zeichnungen und Radierungen von Johann Heinrich Ramberg. Textauszüge von Dietrich Wilhelm Soltau
  10. Maxime Leroy, A Study of Authorial Illustration: The Magic Wonder
  11. Sarah Pearson (1767–1833): A Laboring-Class Sheffield Poet’s Career and Work
  12. Ode
  13. The Other Pamela : Readership and the Illustrated Chapbook Abridgement
  14. Thomson’sThe Seasons, Textual Mobility, and Bibliographical Inter-Iconicity
  15. “The Sands of Dee”: Its Popular Appeal and Textual Life
  16. Thomson, Macpherson, Ramsay, and the Making and Marketing of Illustrated Scottish Literary Editions in the 1790s
  17. Introduction
  18. Thomas Stothard, Milton and the Illustrative Vignette: The Houghton Library Designs for The Royal Engagement Pocket Atlas
  19. Currer Bell, Charlotte Brontë and the Construction of Authorial Identity
  20. Humphry Repton’sThe Beeand Boydell’s Shakespeare Gallery
  21. Editor's Note
  22. William Shenstone's Poetry, The Leasowes and the Intermediality of Reading and Architectural Design
  23. Image Making in James Thomson’s The Seasons
  24. Design, Media, and the Reading of Thomson’s The Seasons
  25. Introduction
  26. Inscribing Memory: Elegies to the Rev. Joseph Foord
  27. Print Culture and Visual Interpretation in Eighteenth-Century German Editions of Thomson's The Seasons
  28. The Illustrated Pocket Diary: Generic Continuity and Innovation, 1820–40
  29. William Beckford's EPISODES OF VATHEK and the Architecture of Identity
  30. Print Culture, Marketing, and Thomas Stothard’s Illustrations for The Royal Engagement Pocket Atlas, 1779–1826
  31. William Hymers and the Editing of William Collins's Poems, 1765–97
  32. The Architectural Design of Beckford's Vathek
  33. Cavendish's Body of Knowledge
  34. Margaret Cavendish's Mythopoetics: By Way of Introduction
  35. Knowledge Economies inAgnes Grey
  36. Thomas Stothard's Illustrations for The Royal Engagement Pocket Atlas, 1779-1826
  37. Print Culture, High-Cultural Consumption, and Thomson's The Seasons, 1780–1797
  38. William Hymers and the Editing of William Collins's Poems, 1765–1797
  39. The Politics of Improvement in Thomas Holcroft’s Anna St Ives
  40. Thomson's The Seasons and the Tragic-Sentimental Verse Tale
  41. Reading Eighteenth-Century Poetry
  42. Curiosity, Surveillance and Detection in Charlotte Brontë'sVillette
  43. Editorial
  44. Sensibility, the Servant and Comedy in Radcliffe's The Mysteries of Udolpho
  45. Visual Interpretations, Print, and Illustrations of Thomson's The Seasons, 1730 - 1797
  46. William Collins and Haplotes
  47. SARAH PEARSON'S GOTHIC VERSE TALES
  48. Painterly ‘readings’ ofThe Seasons, 1766–1829
  49. Richard Savage's Hag
  50. Milton's L'Allegro and Collins's Ode on the Poetical Character
  51. Salomon Gessner and Collins’s Oriental Eclogues
  52. Wordsworth and Collins
  53. Joseph Warton's “Ode to Fancy”and the Descriptive-Allegoric Ode
  54. David Mallet and Barton Booth: A New Letter
  55. Synthesizing Difference : Charlotte Brooke's Reliques of Irish Poetry, the Construction of Identity and the Politics of the Literary Collection
  56. William Collins and the Goddess Natura
  57. Introduction
  58. Book Review
  59. William Collins's "Ode to Simplicity" and the Tail-Rhyme Stanza
  60. A poet with a “bad Ear”? Some notes on the harmony of William Collins'sOde to Evening
  61. An Unnoticed "Review" of Mallet'sThe Excursion
  62. William Collins, grace and the “cest of amplest power”
  63. "To Gaze" in Collins's Ode on the Poetical Character
  64. Charlotte Brontë’sJane Eyre, the Female Detective and the ‘Crime’ of Female Selfhood
  65. William Collins’s Odes : description and the "Silent Eye”
  66. Susanna Pearson and the “Elegiac” Lyric1
  67. Form Versus Manner: The Pindaric Ode and the ›Hymnal‹ Tradition in the Mid-Eighteenth Century
  68. Hermogenes as a Possible Source for William Collins's "Sweetness"
  69. William Collins and the "Zone"
  70. A Possible Source for Horace Walpole's "Otranto"
  71. Overcoming Tyranny: Love, Truth and Meaning in Shelley'sPrometheus Unbound
  72. David Mallet and Thomas Percy
  73. David Mallet and David Garrick
  74. Unnoticed Echoes of Collins's "Ode to Evening" in Mary Whateley's "Elegy on the Uses of Poetry"
  75. ‘Night’ in the Long‐Poems of Mallet, Savage and Thomson
  76. John Gilbert Cooper's "The Tomb of Shakespear": An Editio
  77. John Gilbert Cooper's Revisions of "The Tomb of Shakespear: A Vision"
  78. Collins's ODE TO EVENING
  79. David Mallet and Lord Bolingbroke
  80. William Mason and Count Francesco Algarotti: Two New Letters
  81. Some notes on William Mason and his use of the ‘hymnal’ ode
  82. Love, Honour, and Duty in James Thomson's "Tancred and Sigismunda" (1745)
  83. William Shenstone and ‘Flattery’
  84. New Light on David Mallet
  85. William Shenstone and "Flattery"
  86. Thomas Love Peacock's ‘Mr Asterias’ Reconsidered
  87. David Mallet and George Lyttleton: New Letters
  88. David Mallet and Edward Jerningham: A New Letter
  89. ‘Sweetness’ in the Poetry of William Collins
  90. ›Silence‹ in Early Eighteenth-Century Poetry: Finch, Akenside, Collins
  91. Some Additions to the Shenstone Canon
  92. Two New Poems by Anna Seward
  93. William Shenstone and Mrs Jane Bennet Again
  94. William Collins's ‘on Hercules’ Reconsidered
  95. William Collins's Ode to Evening and R.L. Edgeworth
  96. The Descriptiveness of James Thomson’s Winter (1726) and the Early Eighteenth-Century ›Winter‹ Poem
  97. Mentorship and "Patronage" in Mid-Eighteenth-Century England : William Shenstone Reconsidered
  98. WILLIAM SHENSTONE AND JAMES THOMSON: A NEW POEM