All Stories

  1. PRIZE GERMANS? CHANGING NOTIONS OF GERMANNESS AND THE ROLE OF THE AWARD-WINNING AUTHOR INTO THE TWENTY-FIRST CENTURY
  2. Embodying Achievement: Thomas Bernhard, Elfriede Jelinek, and Authorship as a Competitive Sport
  3. Famously Literary? The Nobel Prize and Herta Müller's Authorial Body
  4. Fetishising intellectual achievement: the Nobel Prize and European literary celebrity
  5. Authorial construction in From the Diary of a Snail and The Meeting at Telgte
  6. Günter Grass and his Critics: From 'The Tin Drum' to 'Crabwalk'
  7. 'Mich in variationen erzählen': Günter Grass and the Ethics of Autobiography
  8. Wer hört noch zu? Günter Grass als politischer Redner und Essayist
  9. Constructing Authorship in the Work of Günter Grass
  10. Introduction
  11. Conclusion
  12. Models of Authorship: Das Treffen in Telgte in Context
  13. Public Constructions of Authorship in Grass's Political Writings, 1965–2005
  14. ‘Aus der Geschichte gefallen’: Displacing the Author in Der Butt and Die Rättin
  15. ‘Mich […] in Variationen […]erzählen’ II: Reconstructing the Author in Zunge zeigen and Mein Jahrhundert
  16. ‘Mich […] in Variationen […] erzählen’ I: Placing the Author in Aus dem Tagebuch einer Schnecke and Kopfgeburten oder Die Deutschen sterben aus
  17. ‘Er, in dessen Namen ich krebsend vorankam’: Reading the Author in Ein weites Feld and Im Krebsgang
  18. G??nter Grass???s Ein weites Feld (Too Far Afield)